Comic Valentine, sent from Charles Colton to James Butler

Featuring hand-colored woodcut and lithograph caricatures of familiar social types, from raunchy spinsters to clumsy bachelors, mid-nineteenth century comic valentines encouraged buyers to observe the holiday through mischief.

Creators: Turner & Fisher Valentine Publishers (printer), Charles Colton (author)

Date of Creation: Dated February 12, 1847 (f1 r.); Written Feb. 20 (f1 v.); Sent Feb. 25 (f2 v.).

Place of origin: Printed in New York City; Sent from Charlestown, MA, to Enosburgh Falls, VT

Physical measurements: 2 leaves

Materials: Lettersheet, ink, watercolor paint, trace of wax seal

Process by which it was made: Handwritten letter; illustration made via wood-engraving, hand-colored with a stencil

Current location: American Antiquarian Society


converted PNM file

Information contributed by Don James McLaughlin.

Pasquinade

A satirical text criticizing the Spanish-American Black Code of 1789.

Creators: Anonymous

Date of Creation: May 1790

Place of origin: Caracas, Venezuela

Physical measurements: Approximately 24 cm. x 18 cm.

Materials: Paper, ink, and pencil

Process by which it was made: Writing and illustration

Current location: Archivo General de Indias (Seville).


Information contributed by Cristina Soriano.

Kykunkor Souvenir Program Booklet

Courtesy of the New York Public Library/Schomburg Center for Research in Black Culture.

A booklet from a 1934 musical drama by the Sierra Leonean composer Asadata Dafora.

Creators: Martha Drieblatt

Date of Creation: ca. 1935

Place of origin: New York, New York

Physical measurements: 31 x 23 centimeters, 16 pages

Materials: Paper

Process by which it was made: Printed by Cooper & Aronson

Current location: New York Public Library/Schomburg Center for Research in Black Culture


Further Reading

Heard, Marcia Ethel. “Asadata Dafora: African Concert Dance Traditions in American Concert Dance.” Doctoral dissertation, New York University, 1999.  

New York Public Library. Asadata Dafora Papers Finding Aid.  <http://archives.nypl.org/scm/20812.> Accessed July 12, 2019.

Martin, John. “The Dance: A Revival, ‘Kykunkor’ is Restored to Its Original Form and Excellence – Week’s Programs.” The New York Times, January 13, X, 8, 1935.

Perpener III, John O. “Asadata Dafora,” <https://danceinteractive.jacobspillow.org/themes-essays/african-diaspora/asadata-dafora/.>

Stiehl, Pamyla A. “The Curious Case of Kykunkor: A Dansical/Musical Exploration and Reclamation of Asadata Dafora’s Kykunkor, or the Witch Woman (1934).” Studies in Musical Theatre, 3(2):143-156, 2009.


Information contributed by Amimbola Cole Kai-Lewis.

Tlaquimilolli (Sacred Bundle)

Line Drawing of Teomamaque carrying sacred bundles after Codex Boturini, 2. Drawing by Molly Bassett.

The tlaquimilolli, or sacred bundle, is an extraordinary form of the quimilli or “bundle,” an object used in many Native American cultures, including the Mexica and Maya of Mesoamerica.

Creators: Mexica-Aztec priests

Date of Creation: c. 1325-1521

Place of origin: Tenochtitlan-Tlatelolco

Physical measurements: Unknown

Materials: Textiles, pelts, bones, and other media

Process by which it was made: Collection and wrapping

Current location: There are no extant tlaquimilolli. Images of sacred bundles can be found in Contact-era codices, including the Florentine Codex.


Further Reading

Bassett, Molly H. The Fate of Earthly Things: Aztec Gods and God-Bodies. Austin, TX: University of Texas Press, 2015.

Dean, Carolyn, and Dana Leibsohn. “Hybridity and Its Discontents:  Considering Visual Culture in Colonial Spanish America.” Colonial Latin American Review 12, no. 1 (2003): 5-35.

Durán, Diego. Historia De Las Indias De Nueva-España Y Islas De Tierra Firme. Vol. 1, Mèxico D.F.: Imp. de J.M. Andrade y F. Escalante, 1867-1880.

Grecco Pacheco, Daniel. “Ontologias envolvidas: conceitos e práticas sobre os envoltórios de tecido entre os maias.” Antipoda: Revista Antropología y Arqueología. 2019, n.37, pp.119-135. ISSN 1900-5407. http://dx.doi.org/10.7440/antipoda37.2019.06.

Guernsey, Julia, and F. Kent Reilly. 2006. Sacred bundles: ritual acts of wrapping and binding in Mesoamerica. Barnardsville, N.C.: Boundary End Archaeology Research Center.

Houston, Stephen, David Stuart, and Karl Taube. The Memory of Bones:  Body, Being, and Experience among the Classic Maya. Joe R. And Teresa Lozano Long Series in Latin American and Latino Art and Culture. Austin: University of Texas Press, 2006.

Karttunen, Frances. An Analytical Dictionary of Nahuatl. Norman, OK: The University of Oklahoma Press, 1983.

Lockhart, James. Nahuatl as Written:  Lessons in Older Written Nahuatl, with Copious Examples and Texts. Nahuatl Studies Series. Edited by James Lockhart and Rebecca Horn. Stanford: Stanford University Press and UCLA Latin American Center Publications, 2001.

Magaloni Kerpel, Diana. “Powerful Words and Eloquent Images.” Chap. 10 In The Florentine Codex: An Encyclopedia of the Nahua World in Sixteenth-Century Mexico, edited by Jeanette Favrot Peterson and Kevin Terraciano, 152-64. Texas: The University of Texas Press, 2019.

Martínez, José Luis. “Gerónimo De Mendieta.” Estudios de Cultura Náhuatl, no. 14 (1980): 131-95.

Mendieta, Gerónimo de. Historia Eclesiástica Indiana. México: Antigua Libreria, 1870.

Olivier, Guilhem. “The Sacred Bundles and the Coronation of the Aztec King in Mexico-Tenochtitlan.” In Sacred Bundles: Ritual Acts of Wrapping and Binding in Mesoamerica, edited by Julia Guernsey and F. Kent Reilly, 199-225. Barnardsville, NC: Boundary End Archaeology Research Center, 2006.

Olko, Justyna. Insignia of Rank in the Nahua World: From the Fifteenth to the Seventeenth Century. Boulder, US: University Press of Colorado, 2014.

Online Nahuatl Dictionary. 2020-2022

Sahagún, Bernardino de. Book 6: Rhetoric and Moral Philosophy. Translated by Charles E. Dibble and Arthur J. O. Anderson. General History of the Things of New Spain. 12 vols. Vol. 6, Santa Fe, NM: The School of American Research and the University of Utah, 1969.

———. Book 7: The Sun, the Moon and the Stars and the Binding of the Years. General History of the Things of New Spain. 12 vols. Vol. 7, Santa Fe, NM: The School of American Research and the University of Utah, 1953.———. Book 11: Earthly Things. Translated by Charles E. Dibble and Arthur J. O. Anderson. General History of the Things of New Spain. 12 vols. Vol. 11, Santa Fe, NM: The School of American Research and the University of Utah, 1963.


Information contributed by Molly Bassett.

Arte de la lengua Mexicana y Castellana

The first printed grammar for facilitating Nahua-Spanish communication and a reference for beginner Nahuatl-learners in the 1500s.

Creators: Alonso de Molina

Date of Creation: 1571

Place of origin: Mexico City/Tenochtitlan (in Pedro Ocharte’s printing press).

Physical measurements: 117 leaves + 10 manuscript inserted pages at back, 14 cm in length

Materials: Paper

Process by which it was made: Woodcut title illustration (Saint Francis receiving the stigmata), woodcut initials throughout, and moveable type. Inserts include use of vermillion, a cochineal lake, and a gypsum-based pigment.

Current location: Library of Congress



Information contributed by Marlena Petra Cravens.

“A Masterly Trick, or, Chick and the Beautiful Italian”

A New Nick Carter Weekly dime novel, the third issue in a trilogy focused on a fictional criminal organization called the Black Hand.

Creators: Chick Carter (pseud.), but can be attributed to Frederick Van Rensselaer Dey (1861-1922). John R. Coryell (1851-1924) is the creator of the Nick Carter character.

Date of Creation: August 7, 1909. Reprinted in thick book format with New Magnet Library nos. 718 and 1268 in 1912 and 1929.

Place of origin: New York City

Physical measurements:  31 pages; approx. 5” x 7”.

Materials: Paper, ink

Process by which it was made: Stereotyping

Current location: Northern Illinois University: Nickels and Dimes, From the Collections of Johannesen and LeBlanc.


Information contributed by Nancy Caronia.

“Memoria de las cosas más notables que acaecieron en Bexar el año de 13 mandando el Tirano Arredondo, 1813″

Courtesy of the Bancroft Library, University of California, Berkeley.

A manuscript of a testimonial describing the events of a Spanish massacre in Texas in 1813.

Creators: Anonymous

Date of Creation: 1813

Place of origin: San Antonio, Texas

Physical measurements: 12 pages. 12” x 8.25”

Materials: Paper and ink

Process by which it was made: Handwritten

Current location: Herbert Bolton Papers, Carton 45, Folder 22, Bancroft Library, University of California, Berkeley


Information contributed by Raúl Coronado.

Rebecca Rubin American Girl doll and Jacqueline Dembar Greene, “Meet Rebecca”

Rebecca Rubin doll and Meet Rebecca book, American Girl. Courtesy of American Girl.

The Rebecca doll, books, and accessories established the fictional character of a Jewish nine-year-old girl living in Manhattan’s Lower East Side neighborhood in 1914.

Creators: American Girl

Date of Creation: 2009

Place of origin: Middleton, Wisconsin.

Physical measurements: Doll is eighteen inches tall; book is 6.5 x 8 inches and 86 pages.

Materials: Doll has vinyl limbs and face and stuffed soft cloth body; book has glossy pages.

Process by which it was made: Manufacture, print.


Information contributed by Rachel B. Gross.

Sheet music for “Ipo Lei Manu” and “Pua Melekule”

Sheet music for “Ipo Lei Manu,” printed by Wall, Nichols Co., Honolulu, H.I. (1892). Courtesy of Amy Kuʻuleialoha Stillman.

Two songs from a sheet music folio published in Honolulu in 1892.

Creators: Printed by Wall, Nichols Co., Honolulu, H.I. No composer/s credited.

Date of Creation: 1892.

Place of origin: Honolulu

Physical measurements: 11” wide x 14” high; 6 pages (back is blank)

Materials: Paper

Process by which it was made: Print

Current location: Private collection.


Further Reading

James Revell Carr. Hawaiian Music in Motion: Mariners, Missionaries and Minstrels. Urbana: University of Illinois Press, 2014.

Tiffany Lani Ing. Reclaiming Kalākaua: Nineteenth-Century Perspectives on a Hawaiian Sovereign. Honolulu: University of Hawaiʻi Press, 2019. 

Stacey Kamehiro. The Arts of Kingship: Hawaiian Art and National Culture of the Kalākaua Era. Honolulu: University of Hawaiʻi Press, 2009.

Noenoe Silva. Aloha Betrayed: Hawaiian Resistance to American Colonialism. Durham, NC: Duke University Press, 2004.


Information contributed by Amy Kuʻuleialoha Stillman.

Serpent Mound

The world’s largest extant snake effigy runs for roughly a quarter-mile near what is now the southern border of Ohio.

Creators: Indigenous peoples of North America

Date of Creation: Approximately 0 – 100 CE.

Place of origin: What is now Adams County in southern Ohio in the United States of America.

Physical measurements: Approximately 1,348 feet long, 3 – 4 feet high

Materials: Rock and soil

Process by which it was made: Heaping and packing earth

Current location: Serpent Mound State Memorial, managed by the Ohio History Connection (formerly the Ohio Historical Society).


Information contributed by Chadwick Allen.