Codex Mexicanus

Painted by Native artists in the late sixteenth century, it includes information on the Christian and Aztec calendars, European medical astrology, and a history of pre-conquest and early colonial Mexico City.

Creators: Anonymous Nahua Scribes

Date of Creation: ca. 1578, updated over time

Place of origin: Mexico City

Physical measurements: 51 leaves, 102 pages, 10 cm x 20 cm

Materials: Paint on Native bark paper

Process by which it was made: Painting

Current location: Bibliothèque National de France.



Further Reading

Boone, Elizabeth Hill. Stories in Red and Black: Pictorial Histories of the Aztecs and Mexica. Austin: University of Texas Press, 2000.

Boone, Elizabeth Hill. Cycles of Time and Meaning in the Mexican Books of Fate. Austin: University of Texas Press, 2007.

Delbrugge, Laura. Reportorio de los tiempos. London: Tamesis, 1999.

Diel, Lori Boornazian. The Codex Mexicanus: A Guide to Life in Late Sixteenth-Century New Spain. Austin: University of Texas Press, 2018.


Information contributed by Lori Boornazian Diel.

Codex Huejotzinco

Created in the sixteenth century by indigenous scribes in the community of Huejotzingo, Mexico, its eight sheets offer a tally of goods delivered to their new Spanish overlords.

Creators: Unknown (Nahua)

Date of Creation: ca. 1530

Place of origin: Huejotzingo, Mexico

Physical measurements: 8 sheets of various dimensions: p.1, 45 cm wide x 44 cm. high; p. 2, 42 cm wide x 27 cm high; p. 3, 20 cm wide x 52 cm high; p. 4, 44 cm wide x 23 cm wide; p. 5, 52.5 cm wide x 41.5 cm high; p. 6, 42 cm wide x 43.5 cm high; p. 7, 24 cm wide x 45.5 cm high; p. 8, 40 cm wide x 26 cm high.

Materials: Amatl paper, agave paper, pigments

Process by which it was made: Painting

Current location: Library of Congress, Washington, D.C.


Information contributed by Barbara E. Mundy.


Further Reading 

Boone, Elizabeth Hill. Stories in Red and Black: Pictorial Histories of the Aztecs and Mixtecs. Austin: University of Texas Press, 2000.

Mundy, Barbara E. “The Emergence of Alphabetic Writing:  Tlahcuiloh and  Escribano in Sixteenth-Century Mexico.” The Americas 77, no. 3 (July 2020): 361–407.

Wolf, Gerhard, Joseph Connors, and Louis Alexander Waldman, eds. Colors between Two Worlds: The Florentine Codex of Bernardino de Sahagún. Florence; Cambridge, MA: Kunsthistorisches Institut in Florenz, Max-Planck-Institut : Villa I Tatti, the Harvard University Center for Italian Renaissance Studies; Worldwide distribution by Harvard University Press, 2011.