Serpent Mound

The world’s largest extant snake effigy runs for roughly a quarter-mile near what is now the southern border of Ohio.

Creators: Indigenous peoples of North America

Date of Creation: Approximately 0 – 100 CE.

Place of origin: What is now Adams County in southern Ohio in the United States of America.

Physical measurements: Approximately 1,348 feet long, 3 – 4 feet high

Materials: Rock and soil

Process by which it was made: Heaping and packing earth

Current location: Serpent Mound State Memorial, managed by the Ohio History Connection (formerly the Ohio Historical Society).


Information contributed by Chadwick Allen.

“Who Are the Indians?”

An 1866 article about Native Americans published for the youth of the Church of Jesus Christ of Latter-day Saints.

Creators: Anonymous author (likely George Q. Cannon) and anonymous illustrator.

Date of Creation: 1866

Place of origin: Salt Lake City, Utah Territory

Physical measurements: 26cm., 4 pages

Materials: Ink on paper

Process by which it was made: Typeset and engraved

Current location: Multiple libraries house copies.


Further Reading

Farmer, Jared. On Zion’s Mount: Mormons, Indians, and the American Landscape. Harvard

University Press, 2009.

Mauss, Armand L. All Abraham’s Children: Changing Mormon Conceptions of Race and

Lineage. University of Illinois Press, 2003.

Rees, Nathan. Mormon Visual Culture and the American West. Routledge, 2021.

Reeve, W. Paul. Religion of a Different Color: Race and the Mormon Struggle for Whiteness.

New York: Oxford University Press, 2015.


Information contributed by Nathan Rees.

Small Brass Image of a Man

Courtesy of Wikimedia Commons.

Described in a 1653 letter by the Puritan John Eliot, no known version of this object exists today.

Creators: Unknown, likely French.

Date of Creation: ca. 1650s

Place of origin: Likely France

Physical measurements: Unknown.

Materials: Brass

Process by which it was made: Casting

Current location: N/A


Further Reading

Brooks, Lisa. Our Beloved Kin: Remapping a New History of King Philip’s War. 2018. New Haven, CT:Yale University Press. 

Cipolla, Craig, editor. 2017. Foreign Objects: Rethinking Indigenous Consumption in American

Archaeology, Tuscon, AZ, University of Arizona Press. 

Clark, Michael P., editor. 2003. The Eliot Tracts. Westport, CT: Praeger. 

Greer, Allan, editor. 2019. The Jesuit Relations: Natives and Missionaries in Seventeenth

Century North America, Second Edition. Boston: Bedford/St. Martin’s. 


Information contributed by Marie B. Taylor.

Boi (Textile)

Courtesy of the British Museum.

Found in a cave in the highlands of the northern Andes along with 28 mummies, a rare cotton textile a The British Museum holds, in its collections, a rare textile made from cotton and painted with brown, red, and blue inks.

Creators: Unknown, Muisca.

Date of Creation: 14th-15th century CE

Place of origin: Gachancipá

Physical measurements: 122 cm x 135 cm

Materials: Cotton, ink

Process by which it was made: Weaving

Current location: British Museum


Information contributed by Santiago Muñoz Arbeláez.

Proud Raven (“Lincoln”) Pole

Erected in the early 1880s by a Tlingit leader, barely a decade after the United States had claimed Alaska from Russia, this pole became popular with white Alaskans who read it as a memorial to Abraham Lincoln.

Creators: Original pole carved by Thleda (Nisgaʼa) for a patron from the Gaanax.ádi Raven clan of the Taantʼa kwáan (or “Tongass”) Tlingit; replica carved for the Saxman Totem Park by Charles Staastʼ Brown (Saanya kwáan Neix.ádi)

Date of Creation: Original c. 1882; replica June 1940

Place of origin: Kadukguká, Tlingit village on Tongass Island, Alaska

Physical measurements: Approx. 40ʼ high

Materials: Red cedar, paint

Process by which it was made: Carving, painting

Current location: Replica of entire pole in the Saxman Totem Park, Saxman, Alaska; original “Lincoln” finial in the Alaska State Museum, Juneau, Alaska



Information contributed by Emily Moore.

Codex Mexicanus

Painted by Native artists in the late sixteenth century, it includes information on the Christian and Aztec calendars, European medical astrology, and a history of pre-conquest and early colonial Mexico City.

Creators: Anonymous Nahua Scribes

Date of Creation: ca. 1578, updated over time

Place of origin: Mexico City

Physical measurements: 51 leaves, 102 pages, 10 cm x 20 cm

Materials: Paint on Native bark paper

Process by which it was made: Painting

Current location: Bibliothèque National de France.



Further Reading

Boone, Elizabeth Hill. Stories in Red and Black: Pictorial Histories of the Aztecs and Mexica. Austin: University of Texas Press, 2000.

Boone, Elizabeth Hill. Cycles of Time and Meaning in the Mexican Books of Fate. Austin: University of Texas Press, 2007.

Delbrugge, Laura. Reportorio de los tiempos. London: Tamesis, 1999.

Diel, Lori Boornazian. The Codex Mexicanus: A Guide to Life in Late Sixteenth-Century New Spain. Austin: University of Texas Press, 2018.


Information contributed by Lori Boornazian Diel.

Chauncey Yellow Robe’s “Record of Graduates and Returned Students”

An early twentieth-century response to a survey of recent graduates of a Native American boarding school.

Creator: Chauncey Yellow Robe

Date of Creation: 1910

Place of origin: Survey created in Carlisle, Pennsylvania; survey filled out in Rapid City, South Dakota.

Physical measurements: 3 pages

Materials: Paper, graphite, and ink.

Process by which it was made: Handwriting on a pre-printed survey form.

Current location: National Archives and Records Administration



Further Reading

Adams, David Wallace. Education for Extinction: American Indians and the Boarding School Experience, 1875-1928. Lawrence: University Press of Kansas, 1995.

Carlisle Indian Industrial School: Indigenous Histories, Memories, and Reclamations, edited by Jacqueline Fear-Segal and Susan D. Rose, 43-53. Lincoln: University of Nebraska Press (2016). https://www.jstor.org/stable/j.ctt1dwssxz.7. 

Pexa, Christopher J. Translated Nation: Rewriting the Dakhóta Oyáte. Minneapolis: University of Minnesota Press, 2019.

Warrior, Robert. The People and the Word: Reading Native Nonfiction. Minneapolis: University of Minnesota Press, 2005.Yellow Robe, Chauncey. “The Autobiography of An Indian Boy.” How the Silent Enemy Was Made. Cline Printing Co., 1930: 4, 17.


Information contributed by Rachel Linea Brown.

An Hy[s]torical [acco]unt of the Doing[s] & Sufferings of [the] Christian Indians in New England

Courtesy of the Newberry Library, Chicago.

An unpublished book that complicates the politics of Native-colonist relationships that became inflamed in the mid-1670s.

Creator: Daniel Gookin

Date of Creation: 1677

Place of origin: Massachusetts Bay Colony

Physical measurements: 300 [4], 99, [3] p. ; 21cm high and 17 cm wide

Materials: Paper and ink

Process by which it was made: Handwriting

Current location: The Newberry Library, Chicago.


Further Reading

Richard W. Cogley, John Eliot’s Mission to the Indians before King Philip’s War (Cambridge, MA: Harvard University Press, 1999).

Kristina Bross, Dry Bones and Indian Sermons: Praying Indians in Colonial America (Ithaca: Cornell University Press, 2004). 

David D. Hall, Ways of Writing: The Practice and Politics of Text-making in Seventeenth-century New England (Philadelphia: University of Pennsylvania Press, 2012).

J. Patrick Cesarini, “What Has Become of Your Praying to God?” Daniel Gookin’s Troubled History of King Philip’s War,” Early American Literature, Vol. 44, No. 3 (2009): 489-515.

Jenny Hale Pulsipher, “Massacre at Hurtleberry Hill: Christian Indians and English Authority in Metacom’s War,” William and Mary Quarterly Vol. 53, No. 3 (Jul., 1996): 459-486.


Information contributed by David D. Hall and Adrian Chastain Weimer.

Jesus Maria Letter

The earliest extant letter written by a Native person in a Native language in what is now the United States.

Creators: Don Manuel, cacique of Asile

Date of Creation: 1651

Place of origin: Asile, Timucua town of Florida

Physical measurements: 2 pages

Materials: Paper

Process by which it was made: Handwriting

Current location: Original housed at the Archivo General de Indias, Sevilla, Spain.


Further Reading 

Alyssa Mt. Plesant, Caroline Wigginton, and Kelly Wisecup, “Materials and Methods in Native American and Indigenous Studies: Completing the Turn,” The William and Mary Quarterly 75:2 (2018) 207-36.

Amy Turner Bushnell, “Patricio De Hinachuba: Defender of the Word of God, the Crown of the King, and the Little Children of Ivitachuco.” American Indian Culture and Research Journal 3, no. 3 (1979): 1-2George Aaron Broadwell & Alejandra Dubcovsky, “Chief Manuel’s 1651 Timucua letter: The oldest letter in a Native language of the United States,” Transactions of the American Philosophical Society. Forthcoming.

Alejandra Dubcovsky and George Aaron Broadwell. “Writing Timucua: Recovering and Interrogating Indigenous Authorship.” Early American Studies: An Interdisciplinary Journal 15, no. 3 (2017): 409-41.

Jerald T. Milanich, The Timucua. (Cambridge: Blackwell Publishers, 1996).


Information contributed by Alejandra Dubcovsky and George Aaron Broadwell.