Pasquinade

A satirical text criticizing the Spanish-American Black Code of 1789.

Creators: Anonymous

Date of Creation: May 1790

Place of origin: Caracas, Venezuela

Physical measurements: Approximately 24 cm. x 18 cm.

Materials: Paper, ink, and pencil

Process by which it was made: Writing and illustration

Current location: Archivo General de Indias (Seville).


Information contributed by Cristina Soriano.

“Memoria de las cosas más notables que acaecieron en Bexar el año de 13 mandando el Tirano Arredondo, 1813″

Courtesy of the Bancroft Library, University of California, Berkeley.

A manuscript of a testimonial describing the events of a Spanish massacre in Texas in 1813.

Creators: Anonymous

Date of Creation: 1813

Place of origin: San Antonio, Texas

Physical measurements: 12 pages. 12” x 8.25”

Materials: Paper and ink

Process by which it was made: Handwritten

Current location: Herbert Bolton Papers, Carton 45, Folder 22, Bancroft Library, University of California, Berkeley


Information contributed by Raúl Coronado.

Codex Mexicanus

Painted by Native artists in the late sixteenth century, it includes information on the Christian and Aztec calendars, European medical astrology, and a history of pre-conquest and early colonial Mexico City.

Creators: Anonymous Nahua Scribes

Date of Creation: ca. 1578, updated over time

Place of origin: Mexico City

Physical measurements: 51 leaves, 102 pages, 10 cm x 20 cm

Materials: Paint on Native bark paper

Process by which it was made: Painting

Current location: Bibliothèque National de France.



Further Reading

Boone, Elizabeth Hill. Stories in Red and Black: Pictorial Histories of the Aztecs and Mexica. Austin: University of Texas Press, 2000.

Boone, Elizabeth Hill. Cycles of Time and Meaning in the Mexican Books of Fate. Austin: University of Texas Press, 2007.

Delbrugge, Laura. Reportorio de los tiempos. London: Tamesis, 1999.

Diel, Lori Boornazian. The Codex Mexicanus: A Guide to Life in Late Sixteenth-Century New Spain. Austin: University of Texas Press, 2018.


Information contributed by Lori Boornazian Diel.

Codex Huejotzinco

Created in the sixteenth century by indigenous scribes in the community of Huejotzingo, Mexico, its eight sheets offer a tally of goods delivered to their new Spanish overlords.

Creators: Unknown (Nahua)

Date of Creation: ca. 1530

Place of origin: Huejotzingo, Mexico

Physical measurements: 8 sheets of various dimensions: p.1, 45 cm wide x 44 cm. high; p. 2, 42 cm wide x 27 cm high; p. 3, 20 cm wide x 52 cm high; p. 4, 44 cm wide x 23 cm wide; p. 5, 52.5 cm wide x 41.5 cm high; p. 6, 42 cm wide x 43.5 cm high; p. 7, 24 cm wide x 45.5 cm high; p. 8, 40 cm wide x 26 cm high.

Materials: Amatl paper, agave paper, pigments

Process by which it was made: Painting

Current location: Library of Congress, Washington, D.C.


Information contributed by Barbara E. Mundy.


Further Reading 

Boone, Elizabeth Hill. Stories in Red and Black: Pictorial Histories of the Aztecs and Mixtecs. Austin: University of Texas Press, 2000.

Mundy, Barbara E. “The Emergence of Alphabetic Writing:  Tlahcuiloh and  Escribano in Sixteenth-Century Mexico.” The Americas 77, no. 3 (July 2020): 361–407.

Wolf, Gerhard, Joseph Connors, and Louis Alexander Waldman, eds. Colors between Two Worlds: The Florentine Codex of Bernardino de Sahagún. Florence; Cambridge, MA: Kunsthistorisches Institut in Florenz, Max-Planck-Institut : Villa I Tatti, the Harvard University Center for Italian Renaissance Studies; Worldwide distribution by Harvard University Press, 2011.


Reglas y estatutos del coro de la santa metropolitana iglesia de Santiago de Goathemala

Courtesy of the Archivo Histórico del Arquidiocesano de Guatemala

One of the few books published in Guatemala on music, it outlined rules for his cathedral singers in the colonial capital of Santiago de Guatemala.

Creators: Pedro Cortés y Larraz; printer: Don Antonio Sanchez Cubillas

Date of Creation: 1772

Place of origin: Santiago de Guatemala (current day Antigua, Guatemala)

Physical measurements: 20 pages

Materials: Paper

Process by which it was made: Print

Current location: Archivo Histórico del Arquidiocesano de Guatemala


Further Reading

Alfred Lemmon, “Reglas y estatutos del coro de la Santa Metropolitana Iglesia de Santiago de Guatemala,” Mesoamérica: revista del Centro de Investigaciones Regionales de Mesoamérica 11, no. 19-20 (1990): 299-314.

Ana María Martínez de Sánchez, “Fuentes de archivo para el estudio del derecho canónico indiano local,” Revista de estudios histórico-jurídicos, no. 30 (2008): 485-503.

Kate van Orden, Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe (Oxford University Press, 2015).


Information contributed by Diane Oliva.

Jesus Maria Letter

The earliest extant letter written by a Native person in a Native language in what is now the United States.

Creators: Don Manuel, cacique of Asile

Date of Creation: 1651

Place of origin: Asile, Timucua town of Florida

Physical measurements: 2 pages

Materials: Paper

Process by which it was made: Handwriting

Current location: Original housed at the Archivo General de Indias, Sevilla, Spain.


Further Reading 

Alyssa Mt. Plesant, Caroline Wigginton, and Kelly Wisecup, “Materials and Methods in Native American and Indigenous Studies: Completing the Turn,” The William and Mary Quarterly 75:2 (2018) 207-36.

Amy Turner Bushnell, “Patricio De Hinachuba: Defender of the Word of God, the Crown of the King, and the Little Children of Ivitachuco.” American Indian Culture and Research Journal 3, no. 3 (1979): 1-2George Aaron Broadwell & Alejandra Dubcovsky, “Chief Manuel’s 1651 Timucua letter: The oldest letter in a Native language of the United States,” Transactions of the American Philosophical Society. Forthcoming.

Alejandra Dubcovsky and George Aaron Broadwell. “Writing Timucua: Recovering and Interrogating Indigenous Authorship.” Early American Studies: An Interdisciplinary Journal 15, no. 3 (2017): 409-41.

Jerald T. Milanich, The Timucua. (Cambridge: Blackwell Publishers, 1996).


Information contributed by Alejandra Dubcovsky and George Aaron Broadwell.